Let’s suppose the modern era begins in October of 1922. Inevitable and unruly, dust is the enemy of the modern order, its repressed other, its nemesis. The connections range far and wide, from aerial reconnaisance and the American dustbowl to Mussolini’s final car journey and the wars in Iraq.
A little French avant-garde journal publishes a photograph of a sheet of glass covered in dust. features works by Man Ray, John Divola, Sophie Ristelhueber, Mona Kuhn, Xavier Ribas, Nick Waplington, Edward Ruscha, Jeff Wall and many others, alongside anonymous press photos, postcards, magazine spreads and movies.
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